Only Real Men Can Save America, and Hollywood

Two stories — one political, one cultural — overlapped last week for a singular conclusion. Real men must once again step up to save the country as they’ve done throughout its history. And they had better do it soon, for they are under attack from the same internal and external forces now destroying Western Europe.

The invasion of Spanish Ceuta by 60,000 fighting-age Moroccan Muslim men was a natural response to socialist President Pedro Sánchez’s immigrant legalization policy. It’s a blueprint to what the communist Democrats seek to do in America, facilitated by quisling Republicans like my friend, Congresswoman Maria Elvira Salazar, with her Dignity Act. To their dominance of the media and the mainstream culture, they’ve added full control of major U.S. cities and states such as New York, Los Angeles, Seattle, and Minnesota. The aforementioned two stories offer hope to save America but not the will. That’s the men’s job.

“The Executive Artists felt entitled to imprint their progressive politics on as much Disney IP as possible.”

The political story was the result of a new Quinnipiac citing Democratic Party disapproval among men at 71 percent — approval 20 percent. That should seal the Republican control of Congress post-midterm elections, except for one ominous factor. The same poll found Democrats vastly more motivated to vote in November — 57 percent, than Republicans — 39 percent.

Due to the mind-numbing news media, too few conservatives realize the imminent threat of the communists to the survival of this country. For far too many, Spanish Ceuta may as well be Wakanda. Only it’s not a comic-book fantasy but an image of our probable future should the Democrats take power. To save America, men don’t have to storm Normandy Beach like their grandfathers did. They just have to vote before or on Election Day.

One man is once again pulling more than his weight in rescuing the country. Elon Musk has pledged up to $120 million dollars to help Republicans maintain control of Congress. Musk saved America once before, by freeing speech from the blanket censorship of the Left.

A lot of people forget that before he bought Twitter four years ago, every social media venue would ban anyone for “misgendering” the deluded, questioning the 2020 election, or challenging the official declarations of the COVID-19 experts. Even other medical experts got silenced for suggesting the virus came from a military-level Chinese biolab not a Wuhan wet market. Dr. Anthony Fauci’s humiliating “testimony” before Congress last week, where he invoked the Fifth Amendment over a hundred times, was the indirect result of Musk breaking the conspiracy machine of government and media, which got the Republican majority.

The ghost in the machine is now presenting cousin-impregnator Democratic Maine U.S. Senate candidate Troy Jackson as a regular Joe, and effete heretic Texas U.S. Senate candidate James Talarico as a Christian in order to fool the — in the Left’s view — rubes. Talarico last month applied his usual twisting of Scripture to push government-run health care.

“If you read the New Testament, what does Jesus spend most of his time doing? It’s not preaching. It’s not teaching. It is healing. Healing the sick.” Which is why, Brother James, we should do as Jesus said, and freely give to the Church or charity to help the sick, and only compulsorily to the State. “Render therefore unto Caesar the things which are Caesar’s; and unto God the things that are God’s.”

The need for strong men very much extends to the culture, specifically Hollywoke, hence the second pertinent story of last week, derived from an inflammatory — to the Left — article in The Hollywood Reporter, “Bring Back the Hollywood Asshole!” I’ve been writing for years about the total destruction of the man-built entertainment industry wrought by ignorant agenda-driven feminist witches and their little male familiars. Now I have formidable company. Music video producer Joseph Kahn has had enough of the castrative dysfunction. His piece calls for the return of the Hollywood tough guys who knew their business and respected their audience, unlike the harpies and weenies currently in charge.

“When I park five stories down past an executive’s assigned space and walk into an office to find a dude in a quarter-zip and box-fresh Allbirds, I can tell there will be a problem before the meeting even starts,” Kahn wrote. “This person does not dress like the movies. This person does not watch the movies. This person does not love the movies.”

Kahn laments the absence of jerk producers like Robert Evans, who greenlighted Love Story, The Godfather, Chinatown, and other seminal films. “These men were monsters. These men were magnificent. They understood that the suit was not vanity. The suit was the point. Armor, uniform and threat, all at once. It made artists fear you, which is useful, because artists are children with tax problems.”

They were also real men from another galaxy far, far away — a galaxy the current girlbosses such as Kathleen Kennedy have turned to spacedust. “Instead of learning that audiences hate being assigned homework with their popcorn, the town doubled down,” Kahn wrote. “The Executive Artists felt entitled to imprint their progressive politics on as much Disney IP as possible.”

Kahn’s final advice will certainly fall on deaf ears, because it can’t overcome elitist Hollywoke’s hatred of white men. “Hire crews and staff based on excellence, not what your favorite Harvard admissions counselor would love … Learn what the poors want — people in flyover states who make less than $300,000 a year. Make sure those movie stars do not offend those poors by insulting Jesus or Tom Brady.”

In conclusion, only real men can save Hollywood. But first they have to save America.

READ MORE from Lou Aguilar:

Hollywoke’s War on Heroes

The Anti-Communist Counterattack Begins on Screen

Hollywoke’s Assault on Beauty